Bold graphic novel style portrait illustration with high contrast ink strokes, stylized concept art

Comic Book Art & Visual Storytelling

Images Designed to Hit Like a Punchline

The comic industry is crowded. Your story deserves to stand out.

Whether you're scripting your first indie comic, refining a pitch for a major publisher, or expanding an existing IP into illustrated form—I help translate your story into unforgettable visuals. I’ve worked with first-time creators and seasoned editors alike, always with the same mission: to build striking, story-first art that pulls readers in and doesn’t let go.

From black-and-white action shots that pop off the page to full-color splash pages with cinematic impact, I craft visual storytelling that’s both strategic and stylish. My process is collaborative, paced to your needs, and designed to help you not just make a comic—but make a comic you’re proud of.

Japanese concept art book EXOTIC with dark stylized cover and dramatic character design

What’s Included

  • Full-page illustration or panel layout (from sketch to final render)

  • Thumbnailing, composition, and storytelling exploration

  • Black & white inked versions or color finishes (your call)

  • Feedback rounds with annotations & visual notes

  • Moodboards & visual research for characters, tone & style

  • Ongoing collaboration via call, chat, or notes

  • Files prepped for print or digital platforms (webtoon, Kickstarter, etc.)

  • NDA-friendly process with IP sensitivity built-in

What’s NOT Included

  • Writing services (but I can connect you with someone if needed)

  • Copyright transfer by default (we’ll agree on the terms that suit your project)

  • Low-effort templates or generic art—this is made just for your story.

Every comic is different. That’s why I don’t just jump into Photoshop and hope for the best.

First, I get to know your story—your characters, your tone, your goals. I’ll help you shape a visual identity that fits your voice, not just mine.

We’ll map out a project timeline that fits your publishing needs—whether it’s a quick one-shot or a 60-page arc.

Every phase (sketching, approvals, final art) gets a calendar check-in, so you know exactly what to expect and when.

You’ll always have a chance to share feedback, pivot if needed, and feel confident about the result.

What You Get (In Style)

  • Story-first concept sketching

  • Killer action composition

  • Cinematic perspective and depth

  • Real-time feedback via annotations

  • Moodboard- and research-driven visual decisions

  • Character & prop design for consistency

  • Marketing-ready splash images (for Kickstarter, etc.)

  • Final files ready for print or digital

Comic Book Art Services

To book, we require a 33% deposit, a 33% by mid-milestones, and a 33% billed at the end of the project. Reach and and contact for a custom setup/day rate if you have on-going needs.

Multiple angles of concept art book EXOTIC showcasing unique art style and visual storytelling

Art Direction – Oversight of consistency across issues or episodes

Open concept art book featuring cinematic compositions and storytelling structure

Look Development – Exploration of visual style and pacing.

storyboard

Visual Scripting – Storyboards or layouts for panels and scenes,

66%

Pre-production time reduction while working with Ashfall / NetEase Games by integrating advanced 3D workflows and modern concept art techniques, delivering AAA-level assets with professional, fast turnaround times that save your budget.

33%

Art quality improvement during collaboration with Frictional Games through maintaining and expanding style guides and material libraries inside a 3D rendering engine, ensuring consistent, high-impact concept development.

90%

Approval rate at first submission while working with Electronic Arts DICE under Milford SE, demonstrating reliability and seamless integration into demanding production pipelines

Special pricing available for long-term projects over 60 days—contact me for a custom arrangement tailored to your ongoing concept art needs.

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  • It’s very hard to find a professional like Miguel. Very organized, prolific and effective with his workflow. Not to mention the impressive quality of ideas he brings to the table. It’s an honor to have worked with him!

    João Lira, Lead Concept Artist on Star Atlas, ATMTA Group

  • The director loved the works we just delivered from our collaboration! Thank you for helping us.

    Alice Zhang, Translator and Producer, NetEase Games

  • I want to say that your proposal was the most professional I’ve seen in a long time, even better than most freelancers and other AAA studios we’re working with.

    James Ohlen, VP Studio Head, Archetype Entertainment / Wizards of the Coast’ Company.

  • It was fantastic working with you on these, you're an exceptional talent with a wonderful work ethic. You had a tasteful process for creative exploration, and your balance of structure and freedom always invigorated our sessions. Looking forward to the future, Miguel.

    River Gandour, CEO of Third Book

Art Portfolio

Architectural sketch for game environment concept, interior medieval hall design
Urban street corner sketch for visual development, realistic location study
Ancient archway ruins drawing for environment design in fantasy or historical setting
Monochrome alleyway sketch for mood exploration in concept art
Character head sketch in helmet, traditional comic style for visual exploration
Bright green character expression sheet for stylized horror or fantasy concept exploration
Low-angle keyframe concept of rooftop chase scene with noir visual tone
Grungy character sketch in storytelling frame for dystopian concept art
Phone booth interaction cinematic concept for narrative visualization
Stylized action scene concept art featuring dynamic gunfight composition
man hovering with guns mid air, concept art
concept art of an explosion
Visual development workflow mind map for professional creative process in concept art

Where Ideas Start to Take Shape

This is where the magic begins—before pencils hit paper, before colors breathe life into panels. I take the time to understand what your story needs visually. Whether you're building a new IP or shaping a one-shot indie gem, this is our blueprint moment. Through collaborative moodboards, character archetypes, narrative world-building, and design logic, we figure out what makes your comic yours.

From genre references to character psychology breakdowns, it’s not just about what looks cool—it’s about what fits the story. That's the difference between illustration and storytelling.

Inspiration board and mood reference wall used in digital art and film concept creation

Building the World Before Drawing It

This is where I get obsessive—in a good way. I study your themes, tone, target audience, and the vibe you’re after. From cinematography references to lighting palettes and panel flow, I compile everything needed to build a cohesive visual direction.

I treat your comic like a film director treats a script. No random choices. No "just winging it." Every stylistic decision comes from something real—story-first visual strategy that serves your narrative.

  • professional and beautifully shot wacom tablet for digital drawing and design

    You'll get a full storytelling pipeline mapped out in a shared board (like Miro or Notion), with thumbnails, pacing breakdowns, character beats, panel flows, and color script suggestions — all easily shareable with your editor or publisher.

  • concept art workstation background, with professional software rendering

    I only work on one comic or visual storytelling project at a time. That means I’m not juggling your story alongside a dozen others — your pages get my full focus, from script-to-layout, with thoughtfulness and care across every beat.

  • professional freelance artist taking notes on a macbook and leading a online meeting.

    I bring everything from design logic (costume, world, props) to the narrative structure — making sure each page builds your tone and voice. Whether you need a fast-paced indie zine vibe or a slow-burn graphic novel, I help shape how your audience feels as they flip through.

  • resources and physical design books on a professional artist desk

    My approach is cinematic — using lighting, composition, body language, and visual rhythm to create impact. I don’t just make pretty panels — I build emotional arcs, pacing tension and silence, guiding the reader like a director through your world.

  • a beautiful selection of sketchbooks being reviewed by a professional artist and designer

    Tools include Photoshop, Clip Studio Paint, Procreate, Blender (for block-ins), and whatever format suits your team. I can jump in at any stage — storyboarding, art, layouts, or creative direction — and I keep formats ready for digital, print, or webcomic use.

Chained creature attack scene with high contrast lighting in horror-themed keyframe

Sketching That Hits Like a Gut Punch

These sketches? They're where we test adrenaline. Whether it's a high-stakes chase or an intimate emotional beat, this is where the storytelling rhythm starts to show. I block out camera angles, character acting, and emotional beats to make sure every moment feels right before we commit to final render.

Want to make a reader’s pulse spike? This is where that happens.

Character lineup concept art with full-body outfits and role descriptions

Real Feedback. Real Progress.

Your story matters, so your voice matters too. Here’s what collaboration actually looks like: notes scribbled right on top of sketches, shared screens with real-time ideas, design decisions backed by story logic.

I don’t ghost. I don’t vanish. You’re part of the process from sketch to finish, with room to explore and refine. It’s your vision—I’m here to elevate it with professional structure and creative fire.

Concept artist in studio explaining project pipeline and creative thought process

We Work Like Teammates, Not Transactions

I’m not some ghost illustrator you hear from once a month. I’m the kind of collaborator who checks in, throws ideas your way, laughs at dumb puns in your script, and genuinely cares if this thing comes out great.

We’ll talk like real humans. We’ll get hyped about your story. And yeah, we’ll make a killer comic while we’re at it.

High-intensity shootout scene with protagonists firing from car, dramatic concept art

Final Art That Slaps

This is the payoff. The full-rendered moment that makes your reader’s jaw drop. Every choice—from the framing to the lighting to the character acting—is rooted in the earlier stages of collaboration. No filler panels. No generic art. Just visual storytelling that elevates your comic and makes it memorable.

Need high-impact splash pages for your Kickstarter? Want cinematic storytelling with indie heart? This is what I live for.

  • Do I need to have a finished script before reaching out?

    Not at all. Whether you have a full script, rough outline, or just a vibe, I can help shape it visually. I often work with clients in early concept phases to develop narrative pacing, characters, and page composition.

  • What do you include in comic art services?

    From thumbnails to polished pages, you’ll get: penciling, inking, coloring, and lettering — plus pitch deck assets if needed. I also provide breakdowns, process GIFs, and layered files, all organized in a collaborative board like Miro.

  • Can you help me pitch to publishers or run a crowdfunding campaign?

    Yes. Many clients use my visual development and final pages to raise funds on Kickstarter or pitch to publishers. I understand what visuals resonate in a pitch, and can help tailor them for your goals.

  • Do you also do concept design for comic IPs?

    Absolutely. From character and costume design to props and environments, I can build a full visual bible to keep your comic IP cohesive — ideal for future adaptations into animation, games, or film.

  • Can you take over where another artist left off?

    It depends on the project’s needs, but yes — if the files are clean and the style can be matched or adapted, I can jump in to continue, finish, or elevate what’s already there.

  • Are you open to creator-owned projects or royalties?

    Yes, I’m open to revenue-share or hybrid models for the right projects. If it’s meaningful and long-term, I’m happy to explore a collaboration that works for both of us.

  • Where are you based and do you work remotely?

    I work fully remotely from professional studio setups in Europe and abroad, available across time zones. Real-time collaboration and async feedback loops are part of how I deliver consistent, high-level results.

  • What if I just need cover art or splash pages?

    No problem — I offer standalone illustration packages too. Whether it’s a variant cover, a full-spread promotional piece, or a teaser page, we can scope it down to what you need.

Black-and-white stylized illustration of rebellious character with oversized revolver

Ready to turn your story into a stunning, publish-worthy comic?
Let’s build your world panel by panel.